Classic Cars Part I - AOCC version

Classic Cars Part I - AOCC version

Ferrari 125S, Porsche 356 and Jaguar XK

3DMax, Mental Ray and Photoshop CS6.

Backplate from www.hdrlabs.com

Christmas Advertising Campaign for Riosul Shopping - circa 2010

Christmas Advertising Campaign for Riosul Shopping - circa 2010

The link for the movie: http://www.youtube.com/watch?v=yqvr-PGFzIA

3DMax, Mental Ray and Photoshop.

Creative: Flávio Medeiros, Kike Borell e Luis Christello
Art Directors: Gabriela Treiger e Fernando Maciel

Jaguar on the Road - Part II Final

Jaguar on the Road - Part II Final

3DMax 2013, HDR Light Map 4.0, Mental Ray and Photoshop CS6.

HDRI and Backplates from SMCars.com

Jaguar XK on the Road - Part I

Jaguar XK on the Road - Part I

3DMax 2013, HDR Light Map, Mental Ray and Photoshop CS6.

Image for a Shell's Poster (JWT) circa 2008

Image for a Shell's Poster (JWT) circa 2008
3DMax, Mental Ray and Photoshop.

Creative: Raul Fernandes
Art Director: Victor de Castro

Jaguar Sport

As soon as I finished my cars to the Shell-Ferrari job I began to model this car in 2007.

New projects and freelances didn't allow me to complete it until this January.

3DMax 2013, HDR Light Map 4.0, Mental Ray and Photoshop CS6.

Collage - Venetia

Collage - Venetia

Nikon F2A, High Speed Film and Photoshop.

Image for CEG (Gas Petrol Company) JWT

Image for CEG (Gas Petrol Company) JWT

3DMax 2013, HDR Light Map 4.0, Mental Ray and Photoshop CS6.

Art Director: Alexandre Frerot

Creative: Raul Fernandes

Making of Ferrari F500 - Part VI Final

Making of Ferrari F500 - Part VI Final

3DMax 2008 - polymodeling

The Materials are the ones who came with the Max
and some from the Jeff Patton's site: http://mrmaterials.com/

The render was the Mental ray, with final gather.

Then I  brought the image to Photoshop and used curves, hue/saturation to give it the colors I wanted.
The original image straight from the render, had all the steps from black to white, so in Photoshop it was easy to bring contrast and "light up" the whole scene, without lose some menor details.

From the looking for references in the Internet,
to the Photoshop pos-production, it was almost 3 weeks to do this image. (2007)

Making of Ferrari F500 - Part V

Making of Ferrari F500 - Part V

3DMax 2008 - polymodeling

I used one "sun" lighting and a Spot with SPECULAR:on and diffuse:off,
to bring some shine to the metal, but without burn out the car's shader.
Two panels, left side and above, with an output shader
to help showing some details in the dark regions of the car.

Making of Ferrari F500 - Part IV

Making of Ferrari F500 - Part IV

3DMax 2008 - polymodeling

Great News!

The HDR Light Studio posted my Audi image in it's newsletter January's cover!

Thanks God!!!

Making of Ferrari F500 - Part III

Making of Ferrari F500 - Part III

3DMax 2008 - polymodeling

Making of Ferrari F500 - Part II

Making of Ferrari F500 - Part II

3DMax 2008 - polymodeling

Making of Ferrari F500 - F1 World Championship(1952)

3D Max 2008  -  PART I


This Ferrari took me 2 weeks to model and texture it,
and 2 days to light and render. You can see by the pictures
that the modelling process was an easy one.